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Mastering music5/24/2023 It's also important to note that when mastering, volume is not the same as maximum volume. So it's no longer "how loud do I have to master" that counts, but rather "how good the track should sound after mastering". the Streaming provider have introduced a general loudness normalization that makes it possible to shift the focus from loudness to production quality. But a lot has happened in the area of track loudness in recent years. Only really good mixes succeeded here, loud yet transparent to be. In short: So loud that your song still sounds good!Ī few years ago, the loudness of a track was crucial to be competitive with other tracks in the same genre. Thoughts like "we'll fix it in the mastering" or "the mastering engineer will fix it" are completely wrong starting points.Īt the end of every song production, the question arises again and again: " How loud to master?" The mixdown is primarily responsible for a balanced sound of your song. The following applies to a good sound of your music: In our Würzburg mastering studio it is possible for us to switch various audio codecs, which are used for the conversion into different file formats, into our monitoring path in order to be able to make changes to the frequency image and the tonality to be determined and corrected if necessary. Especially with drums or kick drums, insufficient mono compatibility can lead to high losses in audio quality and ruin the whole song. If too little attention was paid to mono compatibility when mixing, half the song will be lost. MONO COMPATIBILITY IN MASTERINGĪnother aspect is the Mono compatibility, which is particularly critical when the listener is listening to the mix or master on a smartphone or other single-speaker playback device. In online mastering, these conversion-side changes to the audio quality of the song are reduced to a minimum. Through this Conversion often changes the frequency response of a piece. This is done to enable the listener to always have a smooth audio playback and good sound. they change too Requirements for audio material.ĭue to a wide variety of end devices and internet speeds, the streaming portals convert the audio into a wide variety of output formats. With increasing digitization and greater acceptance of streaming portals such as Spotify, ITunes, Amazon Music and co.
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